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About Me
I have been working exclusively on "location music recording"
for television since 1977. From 1977 to 1984 I worked as engineer with
"Mobile One" recording truck and from 1985 to 1993 I was engineer
and owner of "Fleetwood Mobiles. I have been freelance since May 1993,
during that time I estimate that I have recorded something in excess of
4500 bands / artists. This sounds excessive, but the numbers are easily
notched up (for example recording festivals with 30 bands over three days).
2009 _ I sound supervised the first live to cinema tranamissions from
The Royal National Theatre of “Phedre” with Helen Mirren and “All’s Well
That Ends Well”
2008 – I sound supervised the first live to cinema transmissions from
The Royal Opera House of “Don Giovanni” and in Teatro Real Madrid of “Un
Ballo Maschera”
2006 – I was nominated for the BAFTA “Sound Factual” for “The Genius of
Beethoven” for the BBC
2005 - I was awarded the BAFTA
“Sound Factual” for “The Genius of Mozart” for the BBC
2005 - I sound supervised “The
Bill Live” – which won the Royal Television Society Award for best sound
2003 - I was awarded the BAFTA
"Sound Factual" for
my work as sound supervisor on the Queens Jubilee Concert for the
BBC. This program also won The Royal Television Society Award for best
sound
2002 – I was nomintated for the BAFTA “Sound Factual” – for The Queen
Mothers Funeral for the BBC
1995 - I was nominated for
the BAFTA “Sound Fictional”
for “Ermione”- Four Goes to
Glyndebourne for C4
1994 – I was sound supervisor
for C4s “Don’t Forget Your
Toothbrush” which won best a BAFTA
Best Light Entertainment
1994 – I worked on the sound team for
BAFTA nomination of La Traviata
1991 – I worked on the sound team that won the BAFTA for “Royal Gala –
Symphony for the Spire”
1990 – I worked on the sound team that won the BAFTA for “Boris Godunov” live from St Petersburg for the BBC
Visit the following sections for further details of my work: artists television programs
and award ceremonies.
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